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Field Review | Artist Interview Series

In conversation with

Frederica Henrieta Lecornu

I am an award-winning contemporary artist based in the creative hub of Bristol, UK, and I hold an MSc degree from the Technical University of Košice. Born in socialist Czechoslovakia, my lineage traces back to an old aristocratic family on my mother's side, while my father was a prominent surgeon. Because of our intellectual and noble background, my father was expelled from the Communist Party, and I was blacklisted by the regime. Labeled as "insufficiently politically active" and denied the necessary bureaucratic points to study fine art, the authorities attempted to force me into a career as a cook.

Defying this systemic oppression, I always remembered my grandmother’s words: "They took everything from us, but they can never steal what is inside your mind." Driven by this unyielding spirit, I used my engineering training to design complex machinery, eventually securing a state Author's Certificate of Invention (Patent) for a bakery machine design as part of my university thesis.

However, survival and family demands required a strategic pivot. To fund my son's advanced education, I entered the intense corporate landscape, working for the German conglomerate REWE Group as a Senior Expansion and Project Manager. I spent eight years managing massive commercial developments, overseeing everything from raw land acquisition to final structural certification. For years, my fine art had to wait—I navigated executive boardrooms by day and painted secretly through the night, stealing hours from sleep just to keep my spirit alive in the dark.

My sacrifices triumphed; I raised a genius for the British nation, and today my son, Dr. Marius Hegedus, works in the UK as a PhD quantum physicist. After my children achieved independence, I finally reclaimed my sovereign freedom, relocating to the UK, getting married, and fully dedicating my life to my artistic calling.

From:

United Kingdom

Artist Statement

Federica Henrieta Lecornu’s artistic practice operates as a powerful visual manifesto for a world facing a total systemic and societal crisis. Rejecting the notion of art as mere decoration for a fading middle class, her work serves as a chilling wake-up call to an era where time has accelerated into collapse. Working with heavy structural textures and the luminous, spiritual depth of gold leaf (gilding), she transforms raw canvas and custom-built, deep-edge structural panels into three-dimensional architectural presences. Her current monumental project, "River of Dreams"—designed as a 5-metre-high vertical installation on paper to be experienced under a glass walkway or wrapped around a 150cm rotating kinetic wheel—challenges the passive sanctity of traditional galleries. Her practice subverts the modern economy, proving that a true work of art holds an intrinsic, ancient value that paper money can no longer buy.

Tell us about yourself and your artistic background.

Frederica's artistic journey began with medical device design. Seeking financial independence to fund her son's elite education, she pivoted into corporate real estate as a Senior Expansion and Project Manager for the German corporation REWE Group, directing massive commercial developments from land acquisition to final certification. For decades, her creative calling was suppressed by this high-stakes corporate world, forcing her to paint defiantly through the night. Her maternal sacrifice allowed her exceptionally talented son, Dr. Marius Hegedus, to complete his advanced studies in the UK, where he now works as a PhD quantum physicist—essentially raising a genius for the British nation. Following her children's independence, Frederica relocated to the UK, married, and reclaimed her absolute freedom to create, a transition that coincided with a diagnosis of Parkinson’s disease. Recipient of the Creative Excellence Certificate from the Circle Foundation for the Arts and celebrated for her Contemporary Surrealist Expressionism, Frederica operates outside the collapsing modern economy, utilizing the ancient barter system to position her heavily textured, gold-leaf artworks as the ultimate currency of human truth. From

How would you describe your artistic practice?

Operating from Bristol, I do not reject the conventional art market. In fact, my artistic quality was recently recognized with a Certificate of Excellence, and my large-scale, 23ct gold-leaf artworks were accepted onto the prestigious international platform Singulart. There, they are curated and positioned in the premium sector with values exceeding £8,000. However, I recognize that today's art world requires agility. While entering the traditional primary market on this high level, I choose to remain independent. By occasionally bartering my original paintings for vital professional services, I operate outside collapsing modern economic constraints, proving that true art remains the ultimate, sovereign currency of human connection.

What themes or ideas are most important in your work?

The most crucial themes in my work revolve around the perception of time, the resilience of human consciousness, and the defiance of physical limitations. However, I am not a political revolutionary; I am a sensitive being who chooses to fight with a paintbrush in hand. My creative world is built on hope, mutual understanding, and humanism. Through my abstract compositions, I truly hope to inspire people to realize that empathy, love, and compassion are the purest and most essential human qualities.

What inspires your creative process?

My art functions as a visual sanctuary rather than an echo of systemic chaos. Amidst the complexity of our world, I intentionally paint to capture pure beauty and tenderness. I am deeply inspired by fragile flowers, delicate realms of love, and portraits of dreaming women, using them to protect the remaining purity and light in human existence.

Can you tell us about a recent artwork or project?

A vital concept in my work is the relationship between physical vulnerability, spatial engineering, and absolute willpower. This is powerfully demonstrated in my cross-axis polyptych installation titled 'Above Water, Underwater', which measures precisely 135x100 cm. It consists of a vertical triptych capturing the mysterious depths of underwater life, intersected by a horizontal companion painting that depicts life above the surface. This structured layout physically maps the transition between the subconscious ocean and our conscious, awake reality.

(Note for the curation team: This section describes the 'Above Water, Underwater' installation so visually, it would be wonderful if the photo of that specific artwork could be placed directly under this text or featured here. It would create a perfect visual connection for the readers!)

What challenges have influenced your development as an artist?

Living with Parkinson’s disease has made the themes of fluid motion, control, and transformation deeply personal. Every stroke of texture and alignment of gold leaf represents a conscious decision to anchor my spirit onto the canvas. My true battle has never been about fighting bureaucracy—that is just tilting at windmills. My real survival, as someone living with a neurological condition, depends literally on maintaining my neuroplasticity and neuronal metabolism through my art. This approach was highly recommended by my neurologist, Professor Ray Chaudhuri, a wonderful physician and world leader in the field, who fully supports my creative practice.

What role does art play in your life today?

Art is a biological necessity recommended by medical science to keep my mind resilient. In my past career, I built massive corporate structures and warehouses. Today, I navigate my neurological reality through brushstrokes. This belief extends into how I live and share my art. For instance, just today, a public notary visited my studio and accepted one of my paintings alongside a financial supplement to finalize my will. This exchange proves that art is not a detached commercial luxury, but a living, respected bridge of trust and professional connection between independent minds.

What are you currently working on?

I am currently channeling my engineering of space into another monumental, separate project of mine called 'River of Dreams'. It is an upcoming 5-metre vertical kinetic installation which utilizes a complex rotating 150cm wheel mechanism. I am also currently working on a brand new, never-before-seen painting that I have just recently finished in my studio. Named Vision Expression

What are your future goals as an artist?

My future goal is to continue expanding the boundaries of my art, especially through large-scale kinetic installations. Furthermore, my neurologist, Professor Ray Chaudhuri, deeply appreciates my artwork, so much so that he recently asked to feature my paintings in his upcoming book. I look forward to this collaboration and to continuing to prove that art is a powerful tool for neurological resilience and human connection.

Where can readers follow your work?

You can follow my artistic journey and view my latest collections on my Instagram: @fredericahenrieta or via my premium portfolio on Singulart. And my website fredericalecornu.art

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