Throughout my artistic journey, I have always sought to create a meaningful connection between the valuable heritage of Iranian art and my personal vision. For me, painting is a language through which emotions, memories, and the beauty inspired by my culture, nature, and homeland can be expressed.

My artworks are inspired by Persian miniature painting, floral and bird motifs, and the delicate elements of traditional Iranian art. Through my practice, I aim to present these precious elements with a renewed feeling and a personal perspective. Colors, lines, and details come together like poetic words, creating an atmosphere filled with serenity, delicacy, and imagination.

In each artwork, a dialogue emerges between the authentic roots of Iranian art and contemporary emotions; a dialogue that reflects beauty, hope, and the deep connection between humanity and nature. Each painting is a gentle story of love for art and respect for cultural heritage, beginning from my homeland and creating a sincere connection with audiences around the world.

Soy de la tierra donde todo es posible el mismo día, donde la luz de un Premio Nobel se ve ensombrecida por una matanza inmisericorde.
Soy una madre colombiana que sueña con que mis nietos amanezcan entre dulces colores de esperanza.

I create mixed-media art that blends painting, resin, texture, and handcrafted elements. Inspired by faith, nature, and everyday beauty, my work transforms ordinary materials into meaningful pieces that invite reflection, warmth, and wonder.

I am a London-based artist working across drawing, painting, printmaking, and digital fabrication at the intersection of art, ethnography, and sociology. My practice explores identity formation, domestic life, spatial politics, and the everyday acts through which identities are shaped, negotiated, and sometimes collide across private and public spaces. Drawing on my background in Fine Art at the University of Tehran, I use visual research, narrative, material experimentation, and spatial thinking to create works that move beyond representation and reflect on memory, gender, family, and human conditions.
As an artist, I am always looking for media that best suits my visual research and questions, encompassing traditional drawing and painting techniques as well as digital techniques such as photography and digital fabrication. My studies in Fine Art (University of Tehran) and Architecture (University of Westminster) have given me representational tools that go beyond mere representation; creating artworks that engages with its surrounding and reflects on human conditions, such as identity, gender and spatial politics.
In my works, I navigate my immediate surrounding, using visual ethnography to reflect on the self, memory and familial relations.

Leily Rohani is an Iranian photographer and alumna of Alzahra University. She has completed specialized courses in photography and filmmaking at professional art institutes and is a member of the International Federation of Photographic Art (FIAP).

Inspired by Persian miniature, I weave nature, poetry, and symbolism into timeless narratives, preserving cultural heritage through a contemporary artistic vision.

Paria Sadat Lavasani, after receiving her PhD of Molecular Medicine, began Iranian painting . Surrealist and expressionist art are her main favorite subjects, in which reality and dream merge or emotions are depicted.

Artist Statement

Woodcarving is, for me, a continuation of a dialogue that has existed for centuries between the artist, wood, and the rich cultural heritage of Iran. My work is deeply rooted in the traditional art of Persian woodcarving, a practice

Carved stoneware pieces shaped by the funerary architecture of Makli. Pierced surfaces different and color and with stony texture, echoing weathered tombs and glazed tilework exploring the vase as threshold between solid form with lights and shadows.

What is familiar gradually slips away from its name. Everyday food objects leave behind their ordinary roles, becoming ambiguous, living forms that seem to take on a life of their own, inviting us to look again.

I am eager to move across artistic genres like abstract, macro or minimalism to documentary photography. Independently of the genre, one common feature of my photos is their simple, even minimalist composition, focusing on the essential.

My art is a dialogue between the visible and the felt. Through 3D textures, I let deep emotions flow freely onto the canvas. The works come alive, step into the space, and connect from soul to soul in a state of perception.

Sabereen Al-Majed is a Saudi visual artist from Al-Ahsa, a graduate of King Faisal University. She has earned more than ten university awards and twelve local and international awards. She adopts abstraction, drawing inspiration from horse hooves.

Dongpu Ling is an intermedia artist and educator working across sculpture, interactive installation, performance, and generative audio/video. She creates immersive environments that activate public spaces.

Monica Dhaka is a visual artists questioning how bodies are represented, seen, and remembered. She does not use photography only as documentation, but as a material, collaborative, and reflective way to explore identity, recognition, and belonging.

I view art as a safe haven to express our souls honestly. Evolving from foundational clay to shattered mirrors and threads, my practice captures human resilience, seeking absolute truth and a peaceful commentary on surrounding realities.

Creation unfolds through exploration, patience, and quiet discovery, where process and outcome become inseparable. Within this evolving journey, art emerges as a space of freedom, reflection, and authentic expression.

In this body of work, I explore place, memory, and identity. Through real and imagined landscapes, I create psychological landscapes that blur reality and memory, exploring belonging, absence, and connection to the surrounding world.

My practice explores memory, identity, and lived experience through textiles, drawing, and installation. Using repetitive processes and material storytelling, I investigate themes of care, resilience, and transformation, creating spaces for reflection on the relationships between body, place, and the narratives that shape our everyday lives.

I work with what hides behind the trace: a shadow of a story, a vanished touch, a memory that breathes despite absence. I gather what slips through time and reshape it, giving unfinished stories warmth and space to return.

I paint portraits, landscapes and architectural extravagances solely from memory, using walnut oil and archival oil paints on cotton and MDF. This is for peeps who want to enter my mind.
Every face is painted, feel free to find someone you once knew.

My work reimagines reality through blur, motion, and light. Drawing from personal perception and cultural narratives, I create dreamlike imagery that explores memory, emotion, and the beauty found beyond perfect clarity.

Working primarily with digital media and a conceptual visual language, I rely on careful composition, lighting, and form to convey these psychological and emotional narratives. Each piece invites the viewer to engage with both the heaviness of restriction and the quiet strength of persistence.

I’m Hadia Rizwan, a Pakistani Fine Arts graduate from the University of Gujrat in 2025, where I completed my BFA with distinction. My primary medium is oil painting, and I focus on creating realistic artworks that reflect the emotions and quiet beauty found in everyday life.

Painting is a safe space for me to think through images.
My works are conceptual and take shape as series, each centered around a different subject. Each series emerges as a response to a lived experience, an inner question, or an intuitive encounter with the world around me.